Tuesday, May 16, 2017

17 April 2017 – Scotia Party

We had a special night. Three musicians were visiting NY City from New Zealand - Sharlene Penman, Mary McDonald and Duncan - The Kilted Kiwis) so we put together a party. Oh Joy!

1    The Jubilee Jig               32 J 3           Leaflets
2     New Abbey                         32 S 2          Goldring Gr2
3     Davy Nick Nack                  32 H 3          Campbell
4     Border Weavers                   32 S 3/3L     A. Gray - Tweeddale 2
5     The Cranberry Tart              32 J 3       Glasspool
6     The Johnsonville Diamond  32 S 2    Downey
7     Maxwell's Rant                     32 R 3     Bk 18

Tea Break

8     The Findlays' Jig                    32 J 3        Goldring
9     The Saint John River              32 S 4       Guide
10    The Kissing Bridge               32 R 3       Bk 47
11    Saw ye my wee thing            32 J 2        Bk 25
12    Ann of Scotia                        32 S 3       Ronald
13    Da Rain Dancin'                   32 R 3       Wallace

SCDDB Dance List [Here]

So the band was The Kilted Kiwis - Sharlene Penman -Piano, Mary McDonald Fiddle, and Duncan on snare drum and high hat and they were really good. I was especially impressed by Duncan. His sound was, without being miked, well balanced with the fiddle and piano. He did it with a variety of sticks which held the sharp cutting snare sound to a pleasant level and to a pleasant sound. Miracles of modern material science.

I was impressed, very impressed, and Sharlene and I are in, or will be very shortly a conversation concerning the  2019 Kilts and Ghillies Tea Dance - I want them to play it, and I am not used to bands, or halls, booking 2 years ahead and Sharlene does. So, while I haven't even finalized the band for 2018, I am looking at dates for 2019.

April is the cruelest month - there is the threat of Passover, Easter, The New England Folk Festival, The Rerr Terr Ball, The New York Playford Ball and probably a few other events – all of them competing for four weekends in April. So far we have managed, but getting dates out of the other organizations (especially the 800 pound gorilla called NEFFA) is a task suitable for a Hercules.

Wednesday, April 26, 2017

11 April 2017 – Ho Ho Kus

Substitute class - Kenwyn away and me in his place.

He sent me his class plan and I mostly kept to it, and it was mostly ball prep for the Kilts and Ghillies Tea Dance. (Again). It is a good thing that I like this program. Mostly the dances are still likable even after a lot of repetition.

The dances we did were:-

The Findlays' Jig  –  (32 J 3)  –  Goldring
Chris Ronald's Strathspey  –  (32 S 3)  – Wallace
Lady Susan Stewart's Reel  –  (32 R 3)  –  Bk 5/9

Fountainfall  –  (32 R 3)  – Wheater
Wisp of Thistle  –  (32 S 3)  –  Bk 37/4
General Stuart's Reel  –  (32 R 3)  –  Bk 10/3
Les Remparts de Séville  –  (32 J 3)  –  Bk 50/2
The Compliment  –  (32 S 2)  –  Goldring

*  **  ***   ** * **   ***  ** *

The Findlays' Jig:-  I like. Over time it becomes a wee bit tedious but it is a go to type jig. Nice and Simple. All it needs (if you are not blessed with class musicians) is a good tune.

Chris Ronald's Strathspey:- By Ron Wallace, commissioned by Sue Ronald and music commissioned from James Gray. I really like this one. It makes nice use of Terry Glasspool's Push Me Pull You reels
(a figure eight around a couple dancing Back-toBack Rsh then by Lsh). I also like Ron's figure of Hello-Goodbye with Turns. Bottom line: This one is a keeper - I am getting a goodly amount of positive feedback. So it is not just me.

Lady Susan Stewart's Reel:- Not well received. They did not like the opening 10 bar phrase that need to be danced in 8 bars. A dance for young legs or very canny survivors.

Fountainfall:- A  dance written just a day or so before this class. The devisor's first dance- she started Scottish Country dancing this past September. (My first dance wasn't this good).
Dance Instructions [Here]

Les Remparts de Séville:- I have commented before - The bottom line? A thumbs up.

The Compliment:- Needs good technique to make it look good. A thumbs up.

Friday, April 14, 2017

10 April 2017 –– Scotia

Again intended to be a fairly standard ball prep evening. That didn't last long. First day of the Jewish celebration and the attendance was light. So I got to play.

First Half - (Deborah teaching)

Circle of Cheer  –  (32 J n circle)  –  Hamilton
Hedwig's Reel  –  (32 R 3)  –   Graded 2
Hope Little's Strathspey  –  (32 S 3/3L)  –  Goldring
The White Cockade  –  (32 R 3)  –  Bk 5

Second Half - (me teaching)

Cabbages and Kings  –  (32 J 3)  –  Butterfield
Johnsonville Diamond  –  (32 S 2)  –  Downey
Zytglogge  –  (32 R 3)  –  Blackburn
Monadh Liath  –  (32 S 3)  – Drewry
Cranberry Tart  –  (32 J 3)  –  Glasspool
Anderson's Rant  –  (32 R 3)  –  MMM

*  **   ***   ** **    ** * **   ** **   ***   **  *

Circle of Cheer:- nice simple circle dance that just calls for a class on handing. And that was Deborah's plan for the evening.

Hedwig's Reel:-  Another "Chain" dance. Taught as written and danced other. So she went with the flow, as it were, and substituted a mirror fig. of eight for the original parallel Rsh fig. of eight.

Hope Little's Strathspey:-  One guess. A "chain" dance?  You betcha.  And this one has that 'something' that takes it out of tedious into acceptable. One piece of that is the set arrangement which means fewer repeats. Eight times through Seann Triubhas Willichan, for example. Nice dance but when will it ever end?

The White Cockade:-  Rights and Lefts. Just a different version of Chain.

Cabbages and Kings:-  Another of Deborah's dances and I got to open the 2nd half with it.  "I like it" the Walrus said, "The time has come to dance Cabbages and Kings." Again R&L (that mini-chain thing).

Johnsonville Diamond:-  I Like It.  Note: The Spiral variation is not good for dancers who are susceptible to motion sickness, and Deborah is one of the two who in the class who are. The opening setting figure shines when the dancers advance 'aggressively'. Wimps - stay home!

Zytglogge:-  It's Play Time! Simple set up, 16 bars of relatively simple central corner figure, Simple finish. The structure is simple, the figures are simple, and that opens the door to embroidery. And the door is not open just a crack.

When danced straight and clean care must be taken to round all the turns to the max and use ALL the allotted time. Elegant.

Play time version:- 2nd corners have little to do and little interaction with the other dancers. But they can become quintessential clockwork figures, turning about at the corners, spinning as they move along the track. First couple and 1st corners can twirl too, since the inside RH turn is only 3/4 in 2 bars, a twirl 'to face' is possible there and another is possible when 1C and 1st Corners turn each other into/out of the center. Lots of possibilities if you have a crooked mind and like to play.  Oh sorry!  I forgot. This is Scottish Country Dancing isn't it? No Fun allowed.  Hah!

Monadh Liath:-  Highland schottische balance in line is the highlight. Not a thumbs up, a High Five!

The music I have is by David South (an Aussie band) and I have just one of their CDs - "Kardinia Capers". On the whole I like it but I am not a huge fan, except for two tracks.

The music for Cauld Comfort, a Ron Wallace dance is on the CD as is the music for Monadh Liath. And they work!

Monadh Liath is not on any upcoming ball. This one was for my delight. And it has been a while since I have done it and I am seriously considering it for the next year's K&G short list.

The Cranberry Tart:- Terry was in a serious back and forth with the woman he wrote the dance for. She claimed the color of her gown was fuchsia, he insisted it was cranberry, and he brought the discussion to an abrupt end with this: Well if that is so then I'll have to name the dance "Fuchsia Shock". Need I say he won?

This dance is also a playground. He wrote the dance before Dolphin Reels became all the rage by way of Pelorus Jack. So one of our local dancers emailed him and asked him if he would have written the tandem reel across as a lead change reel? Terry has left the door open. We now embroider it that way. It is a liberty since only 1C is involved.

Anderson's Rant:-  A nice dance, a simple dance, with good music. A good ender for a rather brain heavy program.

4 April 2017 –– New Haven

A Rescheduled event. My usual slot is at the end the month. Late March has become early April.

I was asked to do another, yet another, prep session for the Kilts and Ghillies Tea Dance.  It makes one suspicious of what the usual teachers of the class are doing. "We have a problem Houston" - communication wise.

Hence the existence of this Blog. I started it because I wanted to know what the other teachers in the branch were doing. I knew that someday I was going to be asked to do another ball program. (It still hasn't happened). And I only knew what I was teaching in my one class in the branch. Middletown? No idea. New London/Mystic? Unknown. Granby? Black hole.

So I thought that a blog, where all the teachers had editing/posting ability would fix that, Every week the teachers would post what they had taught, a simple list would do. Program devisors would then know what dances are being done throughout the branch.  Silly me. I sent invitations out to each and every teacher.  No one accepted the invitation. So, sadly, it defaulted to my private playground.

The lists on the strathspey server are a wonderful planning tool but not a good historical tool. Lists  allow you to see what was planned for a class. The dating feature extends that over time but unless it is for a set program it doesn't necessarily show what was actually taught/danced. For example my plans change depending on who actually shows up.

So, all the dances I taught were from the upcoming Tea Dance:-

Driving Through Eutaw  –  (32 J 3)  –  Leary
Swirling Snow  –  (32 S 3/3L)  – Taylor
Anderson's Rant  –  (32 R 3)  –  MMM
Saw ye my wee thing  –  (32 J 2)  –

The Johnsonville Diamond  –  (32 S 2)  –  Downey
More Bees A-Dancin'  –  (32 R 3)  –  Goldring
Chris Ronald's Strathspey  –  (32 S 3)  –  Wallace
Les Remparts de Séville  –  (32 J 3)  –  Latour (Bk 50)

Thursday, April 13, 2017

3 April 2017 – Scotia

Opening night of a new series and I always struggle. There are the usual suspects and then there is a certain amount of churn within a rotating pool of other dancers, and I haven't seen them as a class in about a year, and I feel rusty. It doesn't matter that I finished teaching a series for another class just 2 weeks ago. Each class has its own identity and I need to adjust. And I am just a little slow at that these days.

The churn of ball prep continues. The Rerr Terr is over and done, the Westchester Ball program just came out. And so it continues.

This group has a different class arrangement.
The first hour and a half is supposedly geared for beginners, they accept them off the street nightly, and most of the technique is scheduled for this slot. The second half is less friendly to beginners and  more dance oriented than skills oriented.

First Half (Deborah):-

Waltzing to Iowa  –  (32 W nCircle)  – Schneider
Cutty Sark  –  (32 J 3)  – Bk 40
The Highland Rambler  –  (40 R 3)  –  Goldring
Bedrule  –  (32 S 3)  –  Bk 33
Chicago Loop  –  (32 R 3)  –  K. Smith

Second Half  (Peter):-

Gloria's Wee Jig  –  (32 J 3)  –  McMurtry
Peggy Spouse MBE  –  (32 S 3)  –  Bk 46
British Grenadiers  –  (32 R 3)  – MMM
Abbot of Unreason  –  (32 J 3)  –  Levy/Tin Woodman
Black Leather Jig  –  (32 R 3)  –  Selling/DelVal25

*  **   ***   ****   ** * **   ****   ***   **  *

Gloria's Wee Jig:– I hadn't planned on doing this dance. But after tea I was asked if the first dance was going to be beginner friendly. Seriously, how could I have said no?

It is a nice dance overall with one troubling fudge - the two men, on the diagonal,  turn LH to set up the Ladies' Chain. It works but it always causes just a moment of "huh?". It is not a sweet flow but the chase that follows is. And, yes, I like the chase even though it unusual enough to confuse the unwary. Even when it is stressed as "the hard part".

These two issues are just enough to keep it off my Top 50 Jigs list.

Peggy Spouse MBE:- I like it. I give it a 92. The dance is a beauty!  But I hate the teaching and the briefing. Too many words, too many short bits. Just too many pieces! I took a look at it when Bk 46 came out but I didn't learn/prep the dance until last year. The amount of ink on the page turned me away. I have reconsidered the situation and the dancers are liking it. Enough that they are putting in the work.

Bottom line-- A Keeper.

The British Grenadiers:-  An oldie. Not on any of Tyler Campbell's lists and for good reason.
Simple dance with the figures following in no flowing order. In other words a simple, but not easy, dance.

But the new music by Jim Lindsay is simply too much fun not to use. And did that upset our Scots guard of expats. The nicest words I heard were "That's not Scottish!" followed by grumble grumble b***h and moan.

Different strokes and all that.  This music not only makes me smile but it makes me want to get up and dance.

(We are talking about the RSCDS CD for Book 49 with Jim Lindsay and his band. He includes a couple of 'extras' just for fun.)

Abbot of Unreason:-  By Milton Levy, with a borrowing from Caberfei. Music by one of our own, I mean one of New York City's own - Jim Stevenson lives on Long Island, just 40 miles and 3 hours away. (I exaggerate - a bit).

If you aren't familiar with Milton's name think Gang the Same Gate, My understanding is that Milton invented the set and link for three. I can not dredge up the information at this moment but some where he lectures on the difference between the types of set and links. There is the standard Set and Link, and there is the Set and Cross Link.

And when I teach using that language there is less confusion.

Set and link - dancers change places but not orientation. The standard.

Set and Cross Link - dancers change places but also orientation.
1C 2C join hands and set and "link" but end beside partner NHJ, 1C facing up and 2C facing down.
Try this - 1st and 2nd couples set and cross link.
And when you are briefing?

So  set and link for 3 in Gang the Same Gate is technically a cross link. We don't call it that and later that makes our life harder when we teach set and link/cross link for 2 couples. No common vocabulary.

The Black Leather Jig:- Fun dance. Fairly easy dance. Great Music! I recommend the CD by Thistle House recorded live when the played the New Haven Ball and Brunch some years ago.

I knew the couple who would show up at dances in black motorcycle leathers. And then Heather made her man a leather kilt…

A great way to end a program or a half.

22 March 2017 – Westchester End of Series Party

We did the Whole Thing!

The Findlays' Jig  –  (32 J 3)  – Goldring
The Paisley Weavers  –  (32 S 3/3L)  –  Haynes
On the Morning Tide  –  (32 H 3)  –  I. Boyd
Hooper's Jig  –  (32 J 3)  –  MMM
Culla Bay  –  (32 S 4 sq)  –  Bk 41
The Black Leather Jig  –  (32 R 3)  – DelValley25

Cutty Sark  –  (32 J 3)  –  Bk 40
Mary Erskine  –  (32 R 3)  – Goldring
Fair Donald  –  (32 S 3)  –  Bk 29
The Cranberry Tart  –  (32 J 3)  –  Glasspool
Deil Amang the Tailors  –  (32 R 3)  –  Bk 14

Saturday, March 18, 2017

18 March 2017 – New Haven

The New Haven class sponsored a Kilts and Ghillies workshop to be sure everyone was ready for the ball.

The turn out was light. Not even all of the usual New Haven suspects plus one dancer from Northampton, Massachusetts.

The dances we covered were:

Swirling Snow  –  (32 S 3/3L) – Ruth Taylor
No  –  (32 R 3/3L)  – Wouter Joubert
Les Remparts de Séville  –  (32 J 3)  –  Bk 50 (Aliénor Latour)
Peggy Spouse MBE  –  (32 S 3)  –  Bk 46 (J. Wilkinson)

John Cass  –   (32 R 5)  –  Bk 49 (P. Avery)
The Johnsonville Diamond  –  (32 S 2)  – R. Downey
Zytglogge  –  (32 R 3)  –  Blackburn

15 March 2017 – Westchester

Snowed out - the town closed the senior center both Tuesday and Wednesday evenings.

Friday, March 17, 2017

8 March 2017 – Westchester

The class had a late afternoon/early evening demo for the town council so it was a  very slow starting evening.

My planned opening /warm up dance - Out the window! well, sort of. See dance #2.

The evening's dances:-

This One's Four Isobel  –  (32 S 4some)  –  Glasspool
Driving Through Eutaw  –  (32 J 3)  –  Leary
The Music Makars  –  (32 R 3)  –  Bk 33/1 (Goldring)
Ann of Scotia  –  (32 S – World Wide Weavings (Ronald)

The Glowerin' Coo  –  (32 J 3)  –  Drewry
Swirling Snow  –  (32 S 3/3L)  –  Martello Twr 7 (Taylor)
Da Rain Dancin'  –  (32 R 3)  –  Whiteadder (Wallace)

***   ***   ***      ***   ***   ***

This One's Four Isobel:-  Terry wrote a small collection of foursomes in a variety of formations. He hasn't published them. They are in, oh lets call it, beta testing format. That is- in note form for workshops with the advisory that the instructions could change at any time.

We are still waiting. We are not amused.

This dance is one of the nicest pieces of choreography I have ever experienced. It isn't a nightmare in which various unrelated modifications of standard pieces happen at random times in random order and all happening across musical phrases. I do acknowledge that it isn't a Drewy tour de force either where, once you start moving, the next piece is self evident from the flow. It takes some effort to learn but the sum of the whole is greater than the sum of the parts.  This one gets two thumbs up and a loud YES!

A diagram would be a very nice adjunct to the crib but what is really needed is publication! [quiet whisper from off stage - "psssst, give me a call privately!}

Driving Through Eutaw:- I like it. I am also prejudiced. Deborah (my partner) wrote it. and she broke the box, well maybe not broke it but she certainly bent it out of shape. The dance is asymmetric and that just plain messes with some people's heads.

1-8      Set, set advancing; lead down the middle for 4.

9-16    California Twirl to change places with partner (and face up),
         lead up for 4, cast off 1 place.

Music:- Ye Banks and Braes by Marian Anderson's from her Robert Burns CD.

There are good cribs and a diagram [here].

The Music Makars:-  A Roy Goldring production. It has a certain flair. It's nice, easy to dance too. I give it about a 78. There just isn't anything there that grasps my heart. "It's OK" is about all I can say. A dance saved by the music.

Ann of Scotia:-  This one is a tour de force, especially since I know the lady and she has always enjoyed a good dance flirt. Chris and Sue Ronald also know the lady and wrote the dance to fit. And very successfully. [here]

The music should be Highland Cathedral, the tune to which she made here way to the altar.  At least two thumbs up.

The Glowerin' Coo:-  A Drewry. Some nice flip moments if I do say so myself. We all have our 'go to' dances, or 'kinda-sort of' favorites that we come back to every so often. Dances that just don't leave us alone. This is one  of those for Fergie who has been Westchester's head teacher for decades. He has just retired from teaching and has passed on the mantle.

Since I am now preparing the program for the Westchester Ball, this one kinda sorta :-))  came to mind. It didn't work out for that ball but I have taken it under long term consideration too, as it were.

Da Rain Dancin':- Magnificent. [here] – I consider it the next Mongomeries' Rant and like Montgomeries' Rant it is a great dance because of the music. Ron Wallace, Muriel Johnstone - thank you.

But it has an issue: Dancers don't know how to listen - they hear what they want to or expect to . If a move is outside their box they force it to fit their box.  The interrupted  Hello-Goodbye setting is that move.
The instructions don't say it but he did. He insisted that the 1s 'set' to 1st corner (pas de basque right) and 'set' to partner (pdb left) moving left, towards the gap (between your corners), but not squarely into that space, being sure to point right shoulders toward partner. The taking of hands should be easy - you just raise them and you are, magically, pointed in the correct direction for the turn - no decision (which hand?) to slow you down.

I learned the dance from him at a Pinewoods Camp Scottish Session several… (gasp) decades ago.

Wednesday, March 8, 2017

7 March 2017 – New Haven

I suppose the first order of business is to acknowledge the facts on the ground. The Fair Haven Heights class is effectively defunct. I am now simply part of the rotation of teachers for the New Haven class of the New Haven Branch.  I have no set dates, they change as the availability of the other teachers changes (for whatever reason). * * * Sigh * * *  (Am I being too nice?)

Well, the New Haven Highland Ball for 2017 is past. It is time to move on. The Rerr Terr ball (NJ) is next on the calendar but most of the New Haven dancers can handle the dances eyes closed. Then the Kilts and Ghillies Tea Dance and for that Prep is definitely required.

The dances taught last night:-

Machine Without Horses  –  (32 J 3)  –  Bk 12/12
Bridge of Nairn  –  (32 S 3)  –  Bk 13/11
More Bees A-Dancin'  –  (32 R 3)  –  Goldring

Les Remparts de Séville  –  (32 J 3)  –  Bk 50/2
Dave Macfarlane's Reel  –  (32 R 3)  –  Collin
Peggy Spouse MBE  –  (32 S 3)  –  Bk 46/11

***   ***   ***   ***

The Machine Without Horses:-  The Old War Horse of the jig persuasion. There are some sticking points. Getting beginners to start dancing on time, especially as 2nd couple in the track figure. Getting dancers to cast up around 3rd couple and meet above them. Remembering left from right.

What struck me though was how much the music has changed since I started dancing. Why back when, when you really didn't want the stegasaurii to flip their kilts (that long spiked tail was a real problem) the hot musician was Stan Hamilton. What he was doing on piano was different from what most of other bands were doing. His music was the go to as were Don Bartlett's, Angus MacKinnon's, and Bobby Frew's. The RSCDS music was required listening though very managed and not very inspiring - even then, as a newbie, I could hear that. Don't get me wrong – it was all danceable.

Then came the fiddlers, and especially Barbara McOwen. She was in Berkeley CA. and west coast fiddle music flourished. She moved to Boston, and east coast fiddle music flourished. What she did was open dancer's ears to the song of the fiddle where previously all we heard were accordions. IMHO she deserves a Society Scroll!

So, last night, I played Stan Hamilton's version of Mw/oH. I was not inspired and I was surprised by that. Oh it had a good beat and was easy to dance to. But today I would only gave it about a 72. I find I much prefer the Reel of Seven version. They also have a good beat, are easy to dance to, but they have the sound of the fiddle. And the sound is fuller, more complex, more varied, and more mature.  They are standing on the shoulders of the greats like Stan Hamilton, Bobby Frew, and Don Bartlett, to name just a few.  (If I don't name Bobby Brown it is because although he may have had great knowledge and ability I have never liked the sound of his band. It was very heavy handed. He beat me over the head rather than let the instruments sing - This is personal opinion, other opinions differ, and to those of that persuasion what I have just said is heresy.)

Bridge of Nairn:- If there is a sticky point in this dance it is 1st man getting out of the setting into turning 1st corner RH. And with two elder beginners who are really stretching themselves with starting SCD in their seventies teachers need to use the RSCDS method (leaving out the Baroque ballet stuff). So I had to come up with a skills exercise at the last moment - yes I do claim I planned the class, just not in the society way or standard.

So I had everyone join NH with partner and face down (to start) - set and turn toward partner to face up [1-2], set again and face down [3-4]; set and face up [5-6], set and 1st lady stay facing up while 1st man turns over R shoulder to face down (as if to his 1st corner).

In the dance they got it. Even my weaker newbie was headed the correct way and basically on time into turn CPCP.

Both these dances are on the Rerr Terr program which is designed to be a beginner's first ball - very easy.

More Bees A-Dancin':-  A very nice Roy Goldring dance. I do see the pedigree which is John Drewry's Bees of Maggieknockater. Reels of three are still an issue for our newbies but in this dance 1st couple is in promenade hold for both reels. Hard to go wrong as 1s. Much easier as a corner where you have to either know which way to go, be able to taking coaching or responsive to visual cues.

Les Remparts de Séville:- I like it. It definitely rates higher than a 72. There is a trick to it which plays against training and muscle memory. There is a LH turn into the first 6 bars of Hello-Goodbye setting. Some dancers had difficulty getting their brains wrapped around that 8 bar phrase. Once they accomplished that they liked the dance.

One strong comment from the floor - find better music. I am not convinced. The arrangement doesn't send shudders down my spine. So is it the tune, the arrangement, bad playing, or the instrument mix that wasn't liked? I dunno - it could by any of these so I really need finer discernment. The dance is on the Tea Dance and I am tempted to ask the band to find French or Spanish jigs for their arrangement.

Dave Macfarlane's Reel:- Another delight from Gaye Collin of NZ and one of my Winter Specials. When I asked thumbs up or thumbs down I got four double thumbs up and one single thumbs up and no thumbs down.

This is the only dance I got into and danced. The video is so well done that I had such high expectations that I actually came away mildly disappointed but that doesn't mean it is bad. I definitely rate it as good and it gets a thumbs up from me too.

So that makes a total of ten thumbs up.  [here] Oh my are they good! (I want to move there).
The dance is now a candidate for the 2018 Tea Dance program.

Peggy Spouse MBE:- A Good One. It is beautiful. It deserves a much higher reputation but Oh My does it take lots and lots and lots of words to get the fine points and adjustments across to the dancers! (Maybe that is why they call it teaching?) But there is another issue. I have dancers who are in their 60s, 70s and 80s  and they aren't processing they way they used to. I have to take it slower and repeat myself and walk the pieces more often.

1st few bits - getting 1st lady and 2nd man not only back to back in the middle but also with both hands joined with partner ready for half poussette. It is the partners who have to adjust the spacing so 1L/2M STAY back to back. I now voice another heresy: this is not essential technique but look good technique. The dance works with or without the dancers being tightly back to back. It just looks better if they are.

The reels across (why do people not HEAR what is said?) in 6 bars with added extensions. Another couple of pieces: Petronellas for 1st couple and loops for corners to complete the phrase.

Another bunch of pieces: Set, circles of  3 - halfway; then set and link (corners) or set and petronella (1st couple).

Whew, we can now catch our breath,  it's a circle, round and back.

I like it, and the dancers liked both how it looked and how it danced. Worth the effort!